Dancehouse

2018 HOUSEMATE ARTISTS IN RESIDENCE

OUR 2018 HOUSEMATE ARTISTS-IN-RESIDENCE:

JAMES WELSBY

Through James Welsby's Housemate residency he will be exploring queer dance histories and manifestations and interpreting its evolution into future possibilities. As a part of his 2018 Housemate residency James has curated a term of free dance classes entitled Queer Dance Series. The programme offers 10 free dance classes exploring queer dance manifestations and possibilities taught in 10 different styles by 10 different teachers. READ MORE & SUBMIT EOI
 
James Welsby is a producer, choreographer and performer with a decade of professional experience in contemporary dance and queer performance. He graduated from the VCA School of Dance in 2007 and in 2008 founded Phantom Limbs (winner "Best Dance" Melbourne Fringe 2013 and "Melbourne Festival Discovery Award"). He has performed for numerous companies (Taylor Mac, Finucane and Smith, BRIEFS,) and independent choreographers (Martin Del Amo, Luke George, and Cadi McCarthy). James is the founder and artistic director of critically acclaimed cult cabaret YUMMY, which has been presented in multiple festivals and continues to tour internationally. 
 
As a choreographer, James has created work for Club Swizzle, Sisters Grimm, Zoe Coombs Marr, and Lucy Guerin Inc (Pieces for Small Spaces), and has created several full-length shows under his own name. One of which, "HEX," was performed in Next Wave Festival 2014, the International AIDS Conference 2014, and toured Australia in 2015 to Brisbane Powerhouse, PICA, RCC, PACT, and The Street Theatre. James taught at Chunky Move for six years, and was mentored by choreographer Stephanie Lake through JUMP mentoring. His drag alter ego "Valerie Hex" has been seen touring nationally and internationally and has performed in countless nightclubs around the world.
 
 

RHIANNON NEWTON

Over the course of the Housemate Residency Rhiannon will work through an alternative approach for the production of dance. Beginning from a desire to be a little more plant-like in everyday life and work; to be perpetually entangled with the complexities of ground-bound living, Rhiannon will, for the duration of the residency, grow and care for a continuous thread of dance. Bringing practices of care, memorization, peer-to- peer learning and sustainability to the fore, while speculating about the ways in which bodies might yet collaborate with their environments, Rhiannon hopes to develop a practice in which the body and the dance support one-another to mutually thrive. Starting with place-based research, developing root systems and knowledge specific to the site of residency, Rhiannon will work through solo practice to continuously make and care for an unending sentence of dance. This practice then continues, branching into a series of one-on- one collaborations, with the process of making and caring becoming distributed amongst a network of co-hosts. Rhiannon is delighted to be working with Megan Clune, Aodhan Madden, Lizzie Thomson and David Huggins to develop these ideas and processes.

Rhiannon Newton is an Australian dancer and choreographer. Her practice focuses on meetings of live-ness and repetition. Her recent works explore how knowledge, change and consensus emerge through processes of repeating. Rhiannon's works have been presented nationally and internationally in contexts such as Dance Massive, Brisbane Festival, WOW at Festival 2018, Firstdraft Gallery, Metro Arts, Nagib On Stage (SL), Tanzhaus Zurich (CH) and The Judson Church (USA). She has developed her practice in residencies throughout Australia, Europe and the USA and has been a part of international exchange projects in Switzerland and Eastern Europe. She works as a performer with artists such as Rosalind Crisp, Mette Edvardsen, Martin Del Amo, Paea Leach and Brooke Stamp. Rhiannon also co-facilitates First Run Sydney and in 2018 is a Dancehouse Housemate resident artist and the Create NSW Emerging Performing Artist Fellow.

 

ABOUT HOUSEMATE

Housemate is Dancehouse's artist-in-residence commissioning program. It supports rigorous discourse, research and wide-ranging experimentation in all movement-based forms so as to nurture new choreographic expression for new forms and contexts. The Housemate Residency is about accompanying dance artists through the entire creative process, from vision to realisation. The program offers time to explore, space to examine possibility and the financial support to bring the Resident's project to fruition. It is also Dancehouse's commitment to the future of dance in Australia and to those who re-shape and re-invent choreographic thought for bodies in movement.

The Housemate Performance Program focuses primarily on creative development leading to the presentation of a new work and formal performance season produced and presented by Dancehouse. The residency gives an independent choreographer up to 300 hours of in-kind studio space, a salary package, producing support, free access to Dancehouse's training and development programs and other outreach opportunities, capacity-building skills and office facilities. A public program accompanies the performance season, as a way of connecting audiences even more with the Housemate's thinking and practice.

 
Rhiannon Newton image by Alison Laird